Minggu, 28 September 2014

[O126.Ebook] Fee Download The Psychic Power of Pyramids, by Bill, Pettit, Ed Schul

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Learn how the amazing power of the pyramids can make your skin look younger, enhance the effects of meditation, help you sleep less time and feel more rested, transport you to altered states of consciousness without drugs, purify the air in your home. Includes complete data on how to construct your own pyramids.

  • Sales Rank: #6800382 in Books
  • Published on: 1977-01-01
  • Format: Import
  • Original language: English
  • Binding: Paperback
  • 224 pages

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Senin, 22 September 2014

[A192.Ebook] Free Ebook Presidential Power: Theories and Dilemmas, by John P. Burke

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Presidential Power: Theories and Dilemmas, by John P. Burke

Presidential power is perhaps one of the most central issues in the study of the American presidency. Since Richard E. Neustadt’s classic study, first published in 1960, there has not been a book that thoroughly examines the issue of presidential power. Presidential Power: Theories and Dilemmas by noted scholar John P. Burke provides an updated and comprehensive look at the issues, constraints, and exercise of presidential power.

This book considers the enduring question of how presidents can effectively exercise power within our system of shared powers by examining major tools and theories of presidential power, including Neustadt’s theory of persuasion and bargaining as power, constitutional and inherent powers, Samuel Kernell’s theory of going public, models of historical time, and the notion of internal time. Using illustrative examples from historical and contemporary presidencies, Burke helps students and scholars better understand how presidents can manage the public’s expectations, navigate presidential-congressional relations, and exercise influence in order to achieve their policy goals.

  • Sales Rank: #381651 in eBooks
  • Published on: 2016-03-08
  • Released on: 2016-03-08
  • Format: Kindle eBook

Review
“This book fills a major gap in the presidency studies scholarly literature. It brings Richard E. Neustadt’s classic study of presidential power up to the present with a comprehensive examination of subsequent research on the subject. It promises to become standard reading in courses on the American presidency, and a foundational text on presidential power for scholars.”
—Meena Bose, Director of Peter S. Kalikow Center for the Study of the American Presidency

“John Burke’s masterful book disentangles the complex and contradictory nature of the American presidency. Burke is at the top of his game with this outstanding book and we are in his debt for making this hard-to-comprehend office more accessible.”
—Michael A. Genovese, President, World Policy Institute at Loyola Marymount University

“Burke provides readers with a comprehensive introduction to the leading scholarship and debates on presidential power in American politics. This book should be required reading for anyone interested in understanding both the expansion of presidential power and the constraints placed on White House governing across time.”
—Adam Warber, Clemson University

From the Back Cover
“This book fills a major gap in the presidency studies scholarly literature. It brings Richard E. Neustadt’s classic study of presidential power up to the present with a comprehensive examination of subsequent research on the subject. It promises to become standard reading in courses on the American presidency, and a foundational text on presidential power for scholars.”
–Meena Bose, Director of Peter S. Kalikow Center for the Study of the American Presidency

“John Burke’s masterful book disentangles the complex and contradictory nature of the American presidency. Burke is at the top of his game with this outstanding book and we are in his debt for making this hard-to-comprehend office more accessible.”
–Michael A. Genovese, President, World Policy Institute at Loyola Marymount University

Presidential power is perhaps one of the most central issues in the study of the American presidency. Since Richard E. Neustadt’s classic study, first published in 1960, there has not been a book that thoroughly examines the issue of presidential power. Presidential Power: Theories and Dilemmas by noted scholar John P. Burke provides an updated and comprehensive look at the issues, constraints, and exercise of presidential power.

This book considers the enduring question of how presidents can effectively exercise power within our system of shared powers by examining major tools and theories of presidential power, including Neustadt’s theory of persuasion and bargaining as power, constitutional and inherent powers, Samuel Kernell’s theory of going public, models of historical time, and the notion of internal time. Using illustrative examples from historical and contemporary presidencies, Burke helps students and scholars better understand how presidents can manage the public’s expectations, navigate presidential-congressional relations, and exercise influence in order to achieve their policy goals.

John P. Burke is the John G. McCullough Professor of Political Science at the University of Vermont. He is author of numerous articles and books on the presidency, including Honest Broker? The National Security Advisor and Presidential Decision Making (2009), Becoming President: The Bush Transition 2000-2003 (2004), The Institutional Presidency (2000) and Presidential Transitions: From Politics to Practice (2000).

About the Author
John P. Burke is the John G. McCullough Professor of Political Science at the University of Vermont. He has published numerous articles and books on the presidency, including Honest Broker? The National Security Advisor and Presidential Decision Making (2009), Becoming President: The Bush Transition 2000-2003 (2004), and Presidential Transitions: From Politics to Practice (2000).

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Minggu, 21 September 2014

[A145.Ebook] PDF Ebook Patternmaking for Fashion Design, by Helen Joseph Armstrong

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Patternmaking for Fashion Design, by Helen Joseph Armstrong

Same Content as US Edition in Different Softcover Design

  • Sales Rank: #56643 in Books
  • Published on: 2009
  • Dimensions: .0" h x .0" w x .0" l, 2.92 pounds
  • Binding: Paperback
  • 832 pages

Most helpful customer reviews

532 of 541 people found the following review helpful.
A comprehensive review after reading all the others
By J.A.G.
I wanted to give a review about this book but before I do, I feel that you need to know something about my background and how it relates in my synopsis of the text. I am a freelance patternmaker that lives in New York. I have a BFA in Fashion Design and Marketing and I have been making patterns for roughly about 16 years. I have also taken some additional classes in recent years to learn new techniques and enhance previous ones I have learned. I own several other books ranging from basic patternmaking, books that specialize in lingerie patterns, and menswear pattern books. I own patternmaking software and I am currently using all the things I have learned and applying it to drafting patterns on my computer. I own two dress forms (a half scale and a standard one) and I know how to drape. I know how to sew and construct simple garments such as a t-shirt and intricate ones like bridal gowns. I also know how to do rub-offs (copy garments) and how to grade (change the dimension of a standard pattern to fit a larger or smaller person). I wouldn't call myself a know-it-all or a master at this but I would say I know a great deal more than the average Joe when it comes to making patterns.

That being said, I have come across all types of people that are learning or want to learn about patternmaking. Most of these individuals are designers (or people who think they are designers), fashion design students in college, people that sew as a hobby, or individuals that want to make some unique clothes and save some pennies in the process. All of these are good reasons to learn the skill. In order to learn anything, you need to start with the basics. When I refer to the basics, I mean that you need to start with knowing what a pattern is, what it's used for, and how YOU will incorporate its use in what you need to do. By knowing this, you can figure out where you need to start and what type of book will give you the information you need to get you there.

When I was studying in college back in 1993, a very good teacher introduced me to the basics of patternmaking. She instilled in me the importance of accuracy, explained the use of the tools, showed me how to measure and incorporated the application of those measurements in developing the basic pattern (also referred to as a sloper or block). This was where I was introduced to the book, PATTERNMAKING FOR FASHION DESIGN (1st Edition). Although I used this book, it wasn't introduced into the curriculum until my third patternmaking class and the reason for this I think was because the teacher felt it may have been too advanced for a beginner with no prior knowledge of patternmaking like me. The first patternmaking book I was ever introduced to was HOW TO DRAFT BASIC PATTERNS (4th Edition) by Ernestine Kopp, Vittorina Rolfo, Beatrice Zelin, and Lee Gross. Even though that book was more basic than Helen Joseph-Armstrong's book, you still need to know the basics of the human body, measuring, and how to use the tools properly and I feel the best way to learn those things is from a qualified teacher or industry expert. Books will mean very little to you if you can't relate to the information within and if you don't have a reference to gauge your performance like a teacher or a tangible sample of what you are doing.

Now for the most important part of this, the review:

Like I said previously, I own a hard copy of the original book and I also have this new 5th edition (a digital Kindle version on my tablet). I feel that this book is good for an individual that already knows the basics of making patterns and wants to learn about more intricate garments and how to make patterns for those garments.

PROS

1. In comparison to the 1st edition I own, they have added information about computerized patternmaking (not how to draft on a computer, just on developments related to the industry), a menswear section, a childrens section, more information on drafting knitwear patterns and swimsuits, detailed directions on jacket construction (which is one of the most challenging things in sewing, in my opinion), and how to copy ready made clothing design. If you are on the fence about getting an older edition, I say you should get this (unless you get the older edition for a very good price).

2. This edition highlights certain diagrams and instructions in a different color making following along easier for the reader.

3. It's available as an eBook, which for me is good because I like to refer back to certain sections if I have a question about a technique or process. Easier to carry around on a 7" tablet when I'm out on a freelance gig. Plus, the eBook is cheaper. I like that they've taken the step to make it available as an eBook. Hopefully, the other publishers will follow suit.

4. Very good illustrations.

CONS

1. Like a previous poster said, there are some errors with drafting the armhole for the basic pattern and they have some other numerical errors. For the asking price, they should make sure that these are perfect before demanding someone spend that amount of money. In my case, I purchased it for more of a reference guide. I have enough experience to correct the errors within when I draft patterns and the foresight to not even apply them to what I'm drafting.

2. Although I think the illustrations are good, a lot of them seem a bit dated style-wise. What's more important to the user of this book is that they grasp the concept of the style lines they want in the garment and be able to apply those techniques in developing a style that is aligned with current market trends.

I gave the book 4 stars because it does most of what it intends to and that is to inform the reader about various patternmaking techniques and how those techniques apply to the development of different styles across all markets, genders, size ranges, and age groups. It lost a star for the errors in the text, which is inexcusable.

Before I end, I would like to offer some advice, tips and suggestions that may help the previous posters and additional people looking to learn patternmaking or wanting to buy books on the subject.

When you use this or any patternmaking book, the measurements given within are a collection of general data taken from a small sample of human beings. Even if you magically happen to fit into one of those general categories, you still have to check and fit the final pattern by making muslin mock up. It would also help if you had an additional set of hands or a person that is knowledgeable in fitting to help you (you can't check your own back, your own shoulders or adjust a hemline properly without some assistance). That way, you know where the issues are and you can apply the corrections accurately for the best results.

Know how to measure and know how to convert fractions into decimals. (i.e. 1/2"=.05, 5/8"=.6250 etc.). It surprises me the amount of people I come into contact with that have no idea on how to use a tape measure.

Buy the right tools and learn how to use then properly. To make patterns, the most basic tools you need in you arsenal are:

1. An 18" C-Thru transparent inch/metric ruler
2. A plastic French curve
3. A hip curve
4. A pencil
5. An eraser
6. A tape measure
7. Paper (blue dot paper is the best option because it will help beginners with their accuracy by lining up the dots but if you don't have that option available to you, you can get a roll of that white paper they use at the doctor's office. The stuff that they roll out on the examination table that you sit on. You should be able to buy it at a medical supply store and almost every town or city has one).

In the beginning of most patternmaking books, you will see a more detailed list of supplies but if you have these basic things, you can make any pattern. If you do it more frequently or want to invest more in the process, you can buy additional tools.

Before buying this or any book, check your local library to see if they have a copy. You'll be surprised at what you find. You can also check the local college bookstore to see if the material is relevant before pulling the trigger. In New York, FIT is a good resource for this and it's open to the general public. A lot of local New York libraries in Manhattan, Brooklyn, and Queens have patternmaking books in their collections.

If you can, take a class or find someone reputable that can teach you the basics. Once you have learned the basics and have the concept of how to create a pattern from scratch and how that relates to a finished garment, you will be able to better understand any book.

Check YouTube and the Internet for videos and how to blogs and/or posts.

In reference to the comment I made about the different types of people that want to learn patternmaking, I will offer a few book suggestions. All the books I am recommending I personally own.

If you are a designer wanting to make patterns for your collection, this book is a good recommendation but if you have absolutely no knowledge about the process, you may want to start with HOW TO DRAFT BASIC PATTERNS (4th Edition) by Ernestine Kopp, Vittorina Rolfo, Beatrice Zelin, and Lee Gross and after you have learned most of the basics, you can get the other book that accompanies this one titled DESIGNING APPAREL THROUGH THE FLAT PATTERN (6th Edition) by the same authors. It builds on the first book by helping you to develop more complex styles.

For fashion design students, this book is one that you are probably using or are going to use and it's appropriate in a college setting because you should have a professor that can instruct you on the proper way to make a pattern and that can point out any mistakes in this book and how you can correct or improve on them. A good additional read is APPAREL MAKING IN FASHION DESIGN by Injoo Kim and Mykyung Uh. I was able to borrow this from my local library and decided to invest in it after reading through it extensively. I took a patternmaking class in 2010 and the way the teacher instructed me is very similar to the method in this book (she didn't use this book in class and was not familiar with it). It gives very good and detailed instructions and the illustrations are very good and easy to follow. One of the best things about this book is the way that the author diagrams slash and spread techniques and shows the direction for scissor placement.

For the home sewers, I found that most of them have gained some of their knowledge from using commercial patterns which is a decent start but from a development standpoint, I think that THE PRACTICAL GUIDE TO PATTERNMAKING FOR FASHION DESIGNERS JUNIORS, MISSES, AND WOMEN by Lori A. Knowles is a good book for this category mainly because the book shows you how to develop a pattern based on a particular styles included in the book and how to change/develop some of those styles by changing a piece like a sleeve. The book has very detailed illustrations and reference styles by numbers so you can follow along. The beginning of the book has very good instructions on taking measurements on the body to develop the basic patterns and they even demonstrate the draping technique to develop the basic pattern. The book includes a really detailed measurement chart for regular, petite, and plus-sized women. There is also a menswear version of this book, which is rare in patternmaking books.

My best advice for the individual that wants to make an occasional pattern for sewing up a garment is to go to your local thrift store or Goodwill and buy a really cheap version of the garment you want to make that fits, take it apart stitch by stitch, iron the pieces flat, trace them on paper and you'll have a pattern. If you want more comprehensive lesson on this without taking the garment apart, refer to PART 6 CHAPTER 25 of this book. Google and YouTube are also your friends.

I know this was a really long read but I spent most of my Sunday evening writing this in hopes that it helps clear up some misconceptions and misunderstandings about the book.

*** UPDATE 3/15/12 ***

I was reading through some of the past reviews and one reviewer, 1st nest, made a very valid point in comparison to this edition and the 1st one. They have omitted a section of the book, a 52 page chapter at the end that discussed fitting problems and pattern corrections. For a beginner or even a seasoned pro, that particular section has a lot of good information for fitting and would prove useful if you were having problems with the fit of the garment (which is very common with your first draft). If I could adjust the way I rated the book based on this, I would probably lower it to 3.5 stars. All in all, this still is one of the most comprehensive books I have ever read about patternmaking.

If you can get your hands on a 1st edition, the fitting section alone would be well worth it.

43 of 43 people found the following review helpful.
Great book... if you have a teacher as well.
By E.B.
As an aspiring designer who can't afford to go to design school, I bought this book (and the draping book from the same author)in hopes of teaching myself how to make clothe. I decided to get this book after hearing about its common use in schools. I mean what better book to get than the one they use in fashion school right?

The good:
-A lot of variety. The book teaches you how to make the very basic and then how to distort it and transform it into whatever design you want.
-It has women's, men's and children's sections, as well as things such as bikinis and leotards.

The bad:
-Some of the directions are unclear. As someone who tried to learn with no outside help, I found myself extremely frustrated (specially in the beginning) when sometimes instructions seem to jump a step.
-The illustrations are not always clear. For instance in the pants fitting part of the book, it was hard to compare what I was seeing in real life to the drawn pictures in the book.
-Few sewing instructions. The book shows how to cut the pattern so the fabric can later be manipulated, but doesn't show you exactly how you would go about sewing that cut.
-Some of the methods are outdated. After consulting with someone that has been working in the industry for the last 25 years I leaned that a few of of the instructions and techniques given are no longer used in garment production. This idea was reenforced to me after I had a dress ruined because the defect on the pattern only showed itself after I tried sewing with a fine fabric.
-Some instructions are overly complicated. I find this specially in the sleeve instructions.

In all this is a good book if you already know the basics or if you have a teacher. I would have had little to no complaints if I fell into either categories when I bought it. It's a great resource and can sometimes even be used as source of inspiration for a design. I should also mention that although the book covers fittings, a lot of it you will have to learn on your own. I had occasions where I did all the book suggested and fail, only to later find a solution for a fit on my own.

2 of 2 people found the following review helpful.
Okay but needs improvement
By Claire Farron
The price is really great considering that the hardcover is much more expensive HOWEVER, IT IS NOT AN EXACT COPY OF THE HARDCOVER VERSION. I have to be clear with this because there is extra content in the hardcover copy, things that aren't completely necessary, but were stuff I needed for class. The paperback is missing a curve ruler paper copy and pattern slopers that are 1/2 and 1/4 scale (and maybe other things as well, but I'm not sure). On top of that, I found a printing mistake in my book, so I couldn't even read a certain portion of my textbook. The instructions on how to measure a body is CONFUSING. It took me 3-4 times to make a sloper that was close to my body measurements, so it's best to find a teacher to help you. Some of the methods of pattern making are also outdated and I have found several typos. Overall, I still like this book, but it can be improved.

Pros:
- covers a wide variety of pattern making clothes (women's, men's, children's, sportswear)
- very inexpensive compared to hardcover version
- pictures are extremely helpful
- includes little tests to further your understanding

Cons:
- NOT AN EXACT COPY OF HARDCOVER VERSION
- typos
- instructions can be unclear
- printing mistake made a page illegible
- some methods outdated

See all 168 customer reviews...

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Sabtu, 20 September 2014

[Z504.Ebook] Ebook Download EEG Technology, by R Cooper, J W Osselton, J C Shaw

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EEG Technology, by R Cooper, J W Osselton, J C Shaw

In a period when other methods of investigating brain disorders have been developing fast, notably the computerized axial tomograph, the EEG remains supreme as the window through which the functioning brain is observed. This is reflected in a new chapter devoted to event-related potentials, the recording of which is becoming a part of clinical electrophysiological investigation. Many other changes in this edition include new material on Hjorth's source derivation, which is said to emphasize local features in the EEG, a section on electrical safety and information on the use of miniaturized amplifiers for ambulatory monitoring. The authors have expanded the previous material on frequency-response controls and the discussion of in-phase potentials in the interests of greater clarity. The chapter on signal analysis has been expanded both to clarify and to add new material.

  • Sales Rank: #4339750 in Books
  • Published on: 1980-12
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 304 pages

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Kamis, 11 September 2014

[M116.Ebook] Ebook Computer Systems Design and Architecture (2nd Edition), by Vincent P. Heuring, Harry F. Jordan

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Computer Systems Design and Architecture (2nd Edition), by Vincent P. Heuring, Harry F. Jordan

The authors take a “No Mysteries” approach to computer systems. They interrelate three different viewpoints to provide a unique understanding of the subject: the perspective of the logic designer, the assembly language programmer, and the computer architect. The book has up-to-the-minute coverage of the latest developments in microprocessors, including ALU, pipelining, memory hierarchy, networks and the Internet. And, rather than focusing on a single type of architecture, Heuring and Jordan examine both CISC and RISC models at the ISA level using the unambiguous language of RTN (Register Transfer Notation), allowing for a more in-depth appreciation of different machine structures and functions. The authors examine general purpose machine, machine languages, and digital logic, some real machines, processor design, processor design—advanced topics, computer arithmetic and the arithmetic unit, memory system design, input and output, peripheral devices, communications, networking and the Internet. For computer science and engineering professionals.

  • Sales Rank: #734248 in Books
  • Published on: 2003-12-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 1.30" w x 8.00" l, 2.50 pounds
  • Binding: Paperback
  • 608 pages

Most helpful customer reviews

0 of 1 people found the following review helpful.
Wide breadth, yet sparse description
By timcarst
I had this book as an undergraduate. While it covers a wide range of topics, it does so only by giving many topics a shallow treatment. The material in the book is insufficient for many of the exercises, and the book's examples routinely contain errors. Additionally, at least two versions of the "second edition" exist, and while they are not differently marked, the examples and problems are different.

If you need a book that will describe the aspects of design WITHOUT providing accurate details, this is probably a good book for you. But if you need precise details, or if you plan on teaching undergraduate students, I strongly suggest looking elsewhere.

2 of 2 people found the following review helpful.
A good introductory book on computer design
By A Customer
This book provides good coverage of all of the basics of computer design. It's modern and up-to-date and covers everything from the very basics to more advanced concepts like pipelining and parallelism.
The authors follow through a RISC computer example that they build on as they introduce concepts. It is useful to see a practical application of the concepts as they are introduced.
This edition of the book has a bunch of typos but all in all it is a good book

3 of 7 people found the following review helpful.
For first-course undergrads, this book is unusable
By A Customer
I don't doubt this is a good book for graduate level readers, but I am a straight-A undergraduate student in computer science and I got absolutely nothing out of this book. I think the only reason our school uses it is for the simplified SRC assembly language it uses, which I agree is very nice. But as an introduction to logic gates, binary arithmetic, basic computer architecture, etc., (the stuff you cover in the undergrad computer architecture class), you better hope you have a decent teacher and make sure you go to class!

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Selasa, 09 September 2014

[Y479.Ebook] PDF Ebook Alexander Pushkin, by A. D. P. Briggs

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Alexander Pushkin, by A. D. P. Briggs

Russias greatest poet Puskin led a short but turbulent life. His poetry tacklesthe great themes of the human condition: Love and sex nature and art the individual and social.

  • Sales Rank: #2882465 in Books
  • Published on: 1982-06
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.70" h x .66" w x 5.54" l, .80 pounds
  • Binding: Hardcover
  • 240 pages

Review
Dr. Briggs's review of Pushkin's achievement is stimulating and convincing. In examining Pushkin's verse [he] skillfully demonstrates the poet's superb technical mastery....and brings out Pushkin's clarity, musicality, sense of balance and light touch....Alexander Pushkinshould be read by everyone interested in Russian literature: there is no better introduction in English to the poet whom Tyutchev called 'Russia's first love.'>>> (Times Higher Education Supplement (England))

Dr. Briggs's review of Pushkin's achievement is stimulating and convincing. In examining Pushkin's verse [he] skillfully demonstrates the poet's superb technical mastery....and brings out Pushkin's clarity, musicality, sense of balance and light touch....Alexander Pushkinshould be read by everyone interested in Russian literature: there is no better introduction in English to the poet whom Tyutchev called 'Russia's first love.' (Times Higher Education Supplement (England))

From the Publisher
Founded in 1906 by J.M. Dent, the Everyman Library has always tried to make the best books ever written available to the greatest number of people at the lowest possible price. Unique editorial features that help Everyman Paperback Classics stand out from the crowd include: a leading scholar or literary critic's introduction to the text, a biography of the author, a chronology of her or his life and times, a historical selection of criticism, and a concise plot summary. All books published since 1993 have also been completely restyled: all type has been reset, to offer a clarity and ease of reading unique among editions of the classics; a vibrant, full-color cover design now complements these great texts with beautiful contemporary works of art. But the best feature must be Everyman's uniquely low price. Each Everyman title offers these extensive materials at a price that competes with the most inexpensive editions on the market-but Everyman Paperbacks have durable binding, quality paper, and the highest editorial and scholarly standards.

About the Author
Aleksandr Sergeyevich Pushkin, b. June 6 (N.S.), 1799, d. Feb. 10 (N.S.), 1837, was Russia's greatest poet. His use of the vernacular as the language of poetry freed Russian writing from the constraints of tradition and set new literary standards for novelists and poets, and his preference for subjects from history and folklore brought fresh vitality to Russian literature. Anthony Briggs, Professor of Russian at Birmingham University, Senior Research Fellow at Bristol University, is a well-known writer and broadcaster on Russian cultural affairs and European poetry. His recent translation of War and Peace was critically acclaimed. Among his many publications are six editions in the Everyman's Poetry series.

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2 of 4 people found the following review helpful.
Good, fast fun
By epic phlegm Hooha
This book of poems can be read quickly. It includes English translations by up to ten other poets, but 33 of the 60 poems in this book have been translated by A. D. P. Briggs. Briggs also revised the translation of the 57th. Poem 16, "The Caucasus" is credited to F. Cornford on pages xxi and 19, but the Acknowledgements on page 104 credits a book, POEMS FROM THE RUSSIAN (1943), "trans. Frances Cornfield and Esther Polianowski." Of the Pushkin poems translated by C. M. Bowra in a book from 1948, eight poems are included in this book.
The Contents lists the titles of the poems, and the Introduction explains poetic qualities which the translations in this volume attempt to match, "partly to ensure that interesting formal properties like these are not lost." (p. xv). The first paragraph on page xvi attempts to show how the poems "are grouped roughly thematically," into personal, the natural world, poetry, love, some poems of ideas, for the first half of the book. The longer works in the final portion of the book include the concluding stanzas of YEVGENY ONEGIN, Chapter 8, Stanzas 33-51.
A few things about this book seemed British to me. The word which made the least sense to me was "judder," in the poem "The Waggon of Life," on page 39. If the word was made up to produce a rhyme, the line it was in would have made more sense if it had ended with the common word, shudder:
Feeling the waggon shake and shudder.
The stanza doesn't end with: "We cry, `Slow down you silly buggy!"

4 of 9 people found the following review helpful.
On the cutting edge of letting it all hang out.
By epic phlegm Hooha
This book of poems can be read quickly. It includes English translations by nine other poets, but most (33) of the 60 poems in this book have been translated by A. D. P. Briggs, who has devoted four books to Pushkin and has also edited four other volumes in the Everyman's Poetry series. Briggs also revised Chapter 8 of Oliver Elton's translation of Yevgeny Onegin, which he describes in the Introduction as, "A few stanzas from the end of the novel are included here in order to give a general impression of how the novel works." (p. xvii). Poem 16, "The Caucasus" is credited to F. Cornford on pages xxi and 19, but the Acknowledgements on page 104 credits a book, POEMS FROM THE RUSSIAN (1943), "trans. Frances Cornfield [this mistake might be due to the enormous number of actual cornfields that currently exist on this planet] and Esther Polianowski." Of the Pushkin poems translated by C. M. Bowra in a book from 1948, eight poems are included in this book.
The Contents lists the titles of the poems, and the Introduction explains poetic qualities which the translations in this volume attempt to match, "partly to ensure that interesting formal properties like these are not lost." (p. xv). The first paragraph on page xvi attempts to show how the poems "are grouped roughly thematically," into the order in which the themes are encountered in the first poem in this book, "Winter. What shall we do out in the country?" Pushkin's major themes are identified as the personal, the natural world, poetry, love, some poems of ideas, and his poems on those topics comprise the first half of the book. The longer works in the final portion of the book include the concluding stanzas of YEVGENY ONEGIN (which has 366 stanzas altogether), Chapter 8, Stanzas 33-51.
The poems "Remembrance" and "Elegy" are mentioned as examples of a Pushkinian philosophy of life. Thoughts "Settle in limpid twilight languidly distilled," as the third line of the poem "Remembrance" puts it. Pushkin is capable of other feats, and the introduction observes that one long poem, "(known in Russian as `Gavriiliada' after the angel Gabriel) is an overtly sacreligious re-enactment of several Bible stories (Adam and Eve, Joseph and Mary, the Annunciation, etc.) run together into an extended sexual romp." (p. xviii). This kind of thing is usually considered a catastrophe, as far as serious philosophy is concerned, and "In its day Pushkin could not acknowledge authorship; neither could Russian criticism until recently." (p. xviii). It reminds me of the poem, "the boys i mean are not refined," by e. e. cummings, which was only included in a limited edition of nine copies of his book, NO THANKS, in 1935, but was dropped in subsequent editions until after his death in 1962. Similarly, the introduction by A. D. P. Briggs notices Pushkin's use of "swearwords in `The Waggon of Life'," (p. xix) which Briggs called, "language unusable until recent times in both Russia and England." (p. xvii). Anything that I might say about such language might be considered totally off the subject here, but a revisionist view of the relationship between poetry and philosophy might make some personal comments appropriate here.
As author of the unpublished, unedited, and largely unwritten MY VIETNAM WAR JOKE BOOK, any claim that I might make to knowledge of philosophy is highly suspect, similarly to the status achieved by Martin Heidegger when he is considered the Nazi philosopher. In my case, the must dubious aspect of convergence might be expressed by using the phrase *peace with honor* instead of any swearword that might appear. This could be catastrophic for the poetic values involved, but purely for philosophical reasons, I would like to insert *peace with honor* in place of the swearwords in Pushkin's poem, "The Waggon of Life." The second and third stanza become:
We climb aboard the boards at dawn
Full of wild devilment and crowing;
Spurning the lanquid life with scorn,
We cry, `Go on, get *peace with honor* going!'
But by midday we've lost that boldness,
Feeling the wagon shake and judder.
Dread are the heights and dizzy gorges,
We cry, `Slow down you silly *peace with honor*!'
A few things about this book seemed British to me. The word which made the least sense to me was "judder," in the poem "The Waggon of Life," on page 39. If the word was made up to produce a rhyme, the line it was in would have made more sense if it had ended with the common word, shudder:
Feeling the waggon shake and shudder.
The stanza doesn't end with: "We cry, `Slow down you silly buggy!"

0 of 0 people found the following review helpful.
A classic
By John Thingstad
This deserves the highest rating. An echo ef eternity itself. A beatuful piece of lyrics. I recomend it to anyone with a passion for poetry. This is a classic!

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Senin, 08 September 2014

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This study sets out to investigate humour in the English translation of the Argentinean comic Mafalda and how the strategy of compensation is employed to make up for the loss of the comic effect that may occur during the process of translating. Humour is discussed in relation to pragmatics, politeness, semiotics and intertextuality. Similarly, the concepts of equivalence in translation in general and dynamic equivalence in particular are dealt with in order to introduce the strategy of compensation, which emerges to cope with the lack of equivalence in translation. The analysis includes 17 comic strips from the comic Mafalda, approached from two different perspectives: (1) from the perspective of general theories related to humour and (2) in relation to the type of compensation applied in the translation of the comic strips into English. The study will follow the taxonomy of compensation techniques established by Hervey, Higgins and Haywood (1995), who identify four types of compensation including (1) in kind, (2) in place, (3) by merging and (4) by splitting. The study shows that the use of the technique of compensation is crucial in the translation of the selected comic strips.

  • Sales Rank: #6958518 in Books
  • Published on: 2012-11-03
  • Released on: 2012-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.66" h x .20" w x 5.91" l, .31 pounds
  • Binding: Paperback
  • 88 pages

About the Author
Translator and Interpreter. MEd in English Teaching for Adult Education (2010), MEd in TESOL (2008), MSc in Conference Interpreting (2007), Dip in Audiovisual Translation (2005), Degree in Translating and Interpreting (2004). Other publications: Using ITs in Teaching English at Language Schools (2010), Multiple Intelligences and Learning EFL (2009)

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Minggu, 07 September 2014

[U185.Ebook] Download PDF American Slavery: A Very Short Introduction (Very Short Introductions)

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American Slavery: A Very Short Introduction (Very Short Introductions)

  • Published on: 1600
  • Binding: Paperback

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Senin, 01 September 2014

[E128.Ebook] Free Ebook Properties of Liquids and Solutions, 2nd Edition, by John N. Murrell, A. D. Jenkins

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Properties of Liquids and Solutions, 2nd Edition, by John N. Murrell, A. D. Jenkins

Properties of Liquids and Solutions Second Edition J.N. Murrell A.D. Jenkins University of Sussex, Brighton, UK Properties of Liquids and Solutions, Second edition, is a fully revised and updated edition of this popular text, providing a broad coverage of the physics and chemistry of the liquid state. In recent years there have been great developments in the understanding of intermolecular potentials and computer simulation of bulk properties, and these advances are reflected in the new material in this edition. Properties of Liquids and Solutions continues to bring together an up-to-date account of advances, as well as providing essential background information, in the study of the liquid state. Properties of Liquids and Solutions will continue to be an indispensable teaching text for lecturers and students in chemistry, biochemistry, chemical physics, materials science and environmental science.

  • Sales Rank: #4988010 in Books
  • Published on: 1994-05-17
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.23" h x .72" w x 6.04" l, 1.13 pounds
  • Binding: Paperback
  • 316 pages

From the Back Cover
Properties of Liquids and Solutions Second Edition J.N. Murrell A.D. Jenkins University of Sussex, Brighton, UK Properties of Liquids and Solutions, Second edition, is a fully revised and updated edition of this popular text, providing a broad coverage of the physics and chemistry of the liquid state. In recent years there have been great developments in the understanding of intermolecular potentials and computer simulation of bulk properties, and these advances are reflected in the new material in this edition. Properties of Liquids and Solutions continues to bring together an up-to-date account of advances, as well as providing essential background information, in the study of the liquid state. Properties of Liquids and Solutions will continue to be an indispensable teaching text for lecturers and students in chemistry, biochemistry, chemical physics, materials science and environmental science.

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0 of 0 people found the following review helpful.
A Classic!
By Bengt Kronberg
One of the classic books on liquids and liquid mixtures. Even though it is old it should stand on every researchers bookshelf. It is a good reference book and presents basic ideas in a very clear way!

1 of 1 people found the following review helpful.
I agree with the other guy!
By mart h
I had to bought this book for a class I'm attending. I first read the preview available for this book and I was kind of nervous to buy this book but I had no choice, it was necessary. The only thing I want to say is that book should not be consulted except if it is really necessary... There is virtually no links between the parts of chapters and even between the chapters. You never know what the author is trying to explain. The information is always partial, there is plenty of references to paliated this lack of usefull information. Nevertheless, I think that it is not to complicated to understand. This is mainly why I have deceided to give it 2 stars. I strongly not recommend this book to anyone: students, teachers and professionnals. There must be many better book out there! In fact, I don't think that any book can be worst. I haven't read all the book yet but I'm pretty sure that the last chapters won't be more exciting than the first half.

4 of 4 people found the following review helpful.
Holy cow! Over-rated!
By A Customer
This book was horrible. It was either too complex, or much too simplistic. There was no measure of explanation on the connections between the various subjects, and no tying in of the various concepts 'learned'... This was bad... DO NOT BUY THIS BOOK!

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